The intarsia composition on the cabinet depicts tulips — flowers traditionally associated with various forms of love — captured in a symbolic life cycle. The swirling floral motif evokes a continuous loop, illustrating the ephemerality and transience of love, but also its power of renewal. The delicate marquetry, crafted with meticulous attention to detail, intertwines with sculptural ornamentation, blending narrative with material virtuosity. This work becomes both a functional object and a poetic meditation on emotional cycles and natural rhythms.
She studied architecture at dieAngewandte (University of Applied Arts) in Vienna under the guidance of Wolf D. Prix, Zaha Hadid, and Hernan Diaz Alonso. In her studio, working under the name Zofia Sobolewska Ursic, she creates using a variety of materials: wood, glass, metal, stone, and straw, whos...
Learn more Learn more